Introducing . . . The new essay collection on the cult TV series Veronica Mars:

Neptune Noir

With Deanna’s contribution:

"United States of Veronica: Teen Noir as America’s New Zeitgeist"

Edited by Veronica Mars creator Rob Thomas, this new collection offers insight into the class struggles and love stories of the series. Essays by top writers address questions such as Is Veronica a modern-day vigilante? Why is a show that features rape, potential incest, and a teen girl outsmarting local authorities so popular with America’s conservative population? and Why is Veronica and Logan’s relationship the most important story-driving factor in the show?


BenBella Books
ISBN 1933771135


When Rob Thomas , the creator and executive producer of the critically acclaimed TV drama Veronica Mars, agreed to edit the anthology about his series, I jumped at the opportunity to have my essay included. If you enjoy the TV series, you’ll love Neptune Noir, an intellectual yet entertaining collection about its significance and appeal.

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Excerpt from “ United States of Veronica: Teen Noir as America’s New Zeitgeist” by Deanna Carlyle

I have something in common with Veronica Mars.

Last year I was sexually molested, and the cops laughed it off. The incident left me in danger of becoming a cynic. But it also taught me a hard truth, a truth that teen detective and TV sensation Veronica Mars learned an even harder way after her rape, when, with unnecessary cruelty, Sheriff Lamb let the case drop.

The truth is, sometimes even the “good guys” aren’t looking out for us. Ultimately,

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we’re thrown back on ourselves and our own self-preservation instinct. What then? Who can we turn to? The new task, maybe even the task for our times—the one Veronica Mars gives us the tools to tackle—is figuring out how to protect ourselves without putting too much faith in an external authority or blocking out feelings that make us vulnerable, feelings like trust, empathy, and love. The temptation is to join our violators’ ranks by walking away from responsibility or acting out in some eye-for-eye campaign for revenge, a temptation Veronica struggles with mightily. But as even Veronica learned after she was repeatedly condemned for her reliance on vengeance, that way lies misery, hate, and solitude.

That way lies our current zeitgeist. That way lies teen noir. . . .

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